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BIBLIOGRAPHY
By Carolyn Abbate: Books || Articles || Reviews || TranslationsAbout Carolyn Abbate's Work: Book Reviews
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Books by Carolyn Abbate
Abbate, Carolyn, and Roger Parker, eds. Analyzing Opera: Verdi and Wagner. (California Studies in 19th-Century Music, 6). Berkeley: University of California Press, 1989.
"The 'Parisian'
Tannhäuser." Ph.D. dissertation, Princeton University, 1984. Selected Articles by Carolyn Abbate “Analysis.”
The New Grove Dictionary of Opera. Vol. 1, ed. Stanley Sadie,
p. 116-120. London: Macmillan Press; New York: Grove’s Dictionaries
of Music, 1992. "Cipher and Performance in Sternberg's Dishonored." In Music and the Aesthetics of Modernity, ed. Karol Berger and Anthony Newcomb, p. 355-90. (Isham Library Papers, 6; Harvard Publications in Music, 21). Cambridge, Mass.: Harvard University Press, 2005. "Debussy's Phantom
Sounds." Cambridge Opera Journal 10, no. 1 (March 1998):
67-96. "Erik's Dream and Tannhäuser's Journey." In Reading Opera, ed. Arthur Groos, and Roger Parker, p. 129-67. Princeton, N.J.: Princeton University Press, 1988. "Die ewige Rückkehr von Tristan." In Von Wagner zum Wagnérisme: Musik, Literatur, Kunst, Politik, ed. Annegret Fauser, and Manuela Schwartz, p. 293-313 . (Deutsch-französische Kulturbibliothek, v. 12). Leipzig: Universtät Leipzig, 1999. "The Heart Laid Bare." Opera News 42, no. 16 (4 March 1978): 30-32. "Hiding in the Shadow: Wagner's Ring Has Obscured Many Other Works on the Subject of the Nibelungs." Opera News 53, no. 14 (1 April 1989): 16, 18, 20, 70. "Immortal Voices, Mortal Forms." In Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music, ed. Craig Ayrey, and Mark Everist, p. 288-300 . New York: Cambridge University Press, 1996.
"The Impossible Echo." [in Hebrew] In Voice and Gaze: Between Philosophy and Literature, Opera and Cinema, Myth and Law, ed. Michal Friedlander and Vered Lev Kenaan, p. 121-31. Tel Aviv: Resling, 2002. "Der junge Wagner malgré lui: Die frühen Tannhäuser-Entwürfe und Wagners 'übliche Nummern....'." In Wagnerliteratur--Wagnerforschung: Bericht über das Wagner-Symposium München 1983, ed. Carl Dahlhaus and Egon Voss, p. 59-68. (Schott Musikwissenschaft). Mainz: Schott, 1985. "Music--Drastic
or Gnostic?" Critical Inquiry 30, no. 3 (Spring
2004): 505-36. "Musicologia e gender studies," trans. Laura Martuscelli. In Enciclopedia della musica. Vol. 2. Il sapere musicale, p. [773]-781. Turin: Giulio Einaudi, 2002. "On Analyzing Opera." In Analyzing Opera: Verdi and Wagner, ed. Carolyn Abbate, and Roger Parker, p. 1-24. (California Studies in 19th-Century Music, 6). Berkeley: University of California Press, 1989. "Opera as Symphony: A Wagnerian Myth." In Analyzing Opera: Verdi and Wagner, ed. Carolyn Abbate, and Roger Parker, p. 92-124. (California Studies in 19th-Century Music, 6). Berkeley, Calif.: University of California Press, 1989. "Opera; or, The Envoicing of Women." In Musicology and Difference: Gender and Sexuality in Music Scholarship, ed. Ruth A. Solie, p. 225-58. Berkeley, Calif.: University of California Press, 1993. "Orpheus and the Underworld: The Music of Wagner's 'Tannhäuser.'" In Tannhäuser by Richard Wagner, ed. Nicholas John, p. 33-56. Opera Guide, 39. London: John Calder; in association with the English National Opera and The Royal Opera; New York: Riverrun Press, 1988. "Outside
Ravel's Tomb." Journal of the American Musicological Society
52, no. 3 (Fall 1999): 465-530. "The
Parisian Venus and the Paris Tannhäuser." Journal of
the American Musicological Society 36, no. 1 (Spring 1983):
73-123. "'Parsifal:' Words and Music." In Parsifal by Richard Wagner, ed. Nicholas John, p. 43-58. (English National Opera Guides, 34). London: John Calder; in association with the English National Opera and The Royal Opera; New York: Riverrun Press, 1986. "Tristan
in the Composition of Pelléas."19 Century Music
5, no. 2 (Fall 1981): 117-40. "Ventriloquism." In Meaning in the Visual Arts: Views from the Outside: A Centennial Commemoration of Erwin Panofsky (1892-1968), ed. Irving Lavin, p. 305-11. Princeton: Princeton University Press, 1995. "Las
voces de la música." Música y literatura estudios comparativos
y semiológicos, ed. Silvia Alonso, p. 187-228. (Bibliotheca
philologica. Serie Lecturas). Madrid: Arco/Libros, 2002. "Wagner,
'On Modulation,' and Tristan." Cambridge Opera
Journal 1, no. 1 (March 1989): 33-58. "What
the Sorcerer Said." 19th Century Music 12, no. 3
(Spring 1989): 221-30. "What the Sorcerer Said, or, Theories of Musical Narrative." In Atti del XIV congresso della Società Internazionale di Musicologia, Bologna, 1987: Trasmissione e recezione delle forme di cultura musicale. Vol. 3. Free Papers, ed. Angelo Pompilio, and others, p. 345-59. Torino: Edizioni di Torino, 1990. Abbate, Carolyn, and Roger Parker. "The Cornell Verdi-Wagner Conference, October 1984." Studi Verdiani 3 (1985): 131-37. Abbate, Carolyn, and Roger
Parker. "Dismembering Mozart." Cambridge Opera Journal
2, no. 2 (July 1990): 187-95. Selected Reviews by Carolyn Abbate "Review of Embodied Voices: Representing Female Vocality in Western Culture, ed. Leslie C. Dunn and Nancy A. Jones." Times Literary Supplement, no. 4313 (30 June 1995): 15. "Review of Svoboda, Wagner: Josef Svoboda's Scenography for Richard Wagner's Operas by Jarka Burian." Opera Quarterly 3, no. 2 (Summer 1985): 164-66. "Review of Viva la libertá! Politics in Opera by Anthony Arblaster." Times Literary Supplement, no. 4727 (5 November 1993): 8. Translations
by Carolyn Abbate
Jankélévitch, Vladimir. Music and the Ineffable. Trans. Carolyn Abbate. Princeton, N.J: Princeton University Press, 2003.
Nattiez, Jean Jacques. Music and Discourse Toward a Semiology of Music. Trans. Carolyn Abbate. Princeton, N.J: Princeton University Press, 1990.
Selected Reviews of Carolyn Abbate's Works In Search of Opera Deathridge, John. Opera 53, no. 5 (May 2002): 545-50. Morris, Christopher. “Songs
of the Living Dead.” 19th Century Music 27, no. 1 (Summer
2003): 75-94. Poriss, Hilary. Notes
59, no. 2 (December 2003): 367-69. Unsung Voices Clark, Caryl Leslie. Journal of Musicological Research 14, no. 1-2 (1994): 89-93. Guarnieri Corazzol, Adriana. Il Saggiatore Musicale: Rivista Semestrale Di Musicologia 2, no. 1 (1995): 175-84. Kramer, Lawrence. “Song and
Story.” 19th Century Music 15, no. 3 (Spring 1992): 235-39.
Lindenberger, Herbert Samuel.
Notes 49, no. 1 (September 1992): 152-54. McClatchie, Stephen C. Wagner 13 , no. 3 (September 1992): 108-21. Morgan, Robert P. Journal
of Modern History 64, no. 3 (September 1992): 576-81. Rosenwald, Lawrence. Opera Quarterly 10, no. 3 (Spring 1994): 149-42. Seedorf, Thomas. MusikTheorie 9, no. 2 (1994): 186-87. Taruskin, Richard. “She Do
the Ring in Different Voices.” Cambridge Opera Journal 4,
no. 2 (July 1992): 187-97. Whittall, Arnold. "Analytical
Voices: The Musical Narratives of Carolyn Abbate." Music
Analysis 11, no. 1 (March 1992): 95-107. Wintle, Christopher.
“Wotan’s Rhetoric of Anguish.” Journal of the Royal Musical Association
118, no. 1 (1993): 121-43. Stanford University ©2005. |
